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Monday, May 17, 2010
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Friday, May 14, 2010
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Wednesday, May 12, 2010
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-- TRACK LIST --
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Friday, May 7, 2010
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Balakrishna's latest film 'Simha' is a testimony of love for machismo Telugu film director is mandatory rather than a pure artist and masala action. Although artists masala and action have existed for some time, was in 1999 that had Balakrishna this genre to a whole new level with his hit movie 'Samarasimha Reddy. He repeated this feat again in a 2001 movie titled 'Narasimha Naidu. After a long hiatus, his latest film 'Simha' us back to the old blockbusters the old. Directed by Boyapati Srinu, the film has been produced by Parachuri Kireeti on 'United Movies banner. " Nayanthara, Sneha Ullal and Namitha are the main actresses. "Simha 'tells the story of Srimann Narayana, a university professor whose encounter with Janaki it to his own past.
Narayana Srimann stars like Balakrishna, a university professor who is warm-blooded nature. He does not tolerate injustice and would go to any length to save those who are close to your heart. One day a new girl called Janaki (Sneha Ullal) joins his school, and almost immediately he falls for Janaki. Even Grandma likes Srimann Narayana Janaki and asks to marry Janaki. However, Janaki has a violent past that is closely related Srimann own past. Soon, his grandmother tells all about his past, his father and the royal family. What do I tell? "Who was the father of Srimann? How Janaki Narayana related? That way the rest of the story of this explosive action drama.
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Rating : 4/5 - dotmoive.in
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Love stories have been a tried to tested formula. Karunakaran doesn’t truly work to do something new in ‘Darling’ or try to deduce fancy from a new perspective. Perhaps this makes the covering all the more predictable. The support half of the record drags a bit and over stays its welcome as far as the family drama is fretful.
Andrew’s cinematography is striking in the tape. The songs and scenes shot in Switzerland have a good mix of colours like cobalt and green which is totally genial to sentry. G V Prakash’s harmony is alright. Swamy’s dialogues are good. Kotagiri Venkateswara Rao’s cutting is passable. Peter Heins’ action choreography is fully effective. Karunakaran has also handled the buzz and screenplay apart from the command of the haze. While there are some witty twists and turns in the covering, the screenplay could have been better especially in following half to make it more engaging. All in all, ‘Darling’ is a standard Karunakaran’s mist with a neat storyline laced with good comedy and family drama.
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Rating : 4/5 - dotmoive.in
Prabhas starts as Prabhas, a Generation Y punk who’s waiting at his childhood sweetheart Nandini (Kajal) to march into his life once again. When his lonely (Shraddha Das) proposes her ardor to him, Prabhas turns it down. Dejected with this decision, Shraddha Das attempts suicide which irks his father (Mukesh Rishi). He military Prabhas to accept his daughter’s offer but before Prabhas accepts, he narrates the anecdote of how he met Nandini. The respite of the scoop is about how Prabhas and Nandini suffer and how they decrease in passion with one another.
‘Darling’, as a video never takes itself too honestly. There are a bunch of actors goofing around to have a jolly good time be it in Switzerland or Araku. It’s the little moments of joy which need the item ahead. If you have strongly practical Karunakaran’s films then you will fulfill that there are barely any villains or grey shades in the character. Same is the defense with the pictures. Almost each is good at feeling which inturn forces us to concentrate on the maturing darling report. Although it’s not select, the feeling hearsay has its part of fine moments. Take that prospect shot in Switzerland for example, where Kajal realizes that Prabhas is in ardor with her. Or evening the site where Kajal realizes how finicky a person Prabhas is when the later solves a titanic predicament of his family lonely. Moments like these don’t go futile and the coating is crammed with such incidents.
Of the star cast, Prabhas seems to have had a good time while shooting for the haze. His body patois especially in the next half of the covering is helpful; while he looks bemused in most of his scenes. His comfort invoice especially the costumes and dances are noteworthy. Prabhu, Ahuti Prasad, Dharmavarapu Subramaniam, M S Narayana, Srinivas Reddy, Shraddha Das and Mukesh Rishi are effectual in their roles. Amidst all of them, it’s the heroine of the coating Kajal Agarwal who dazzles with her exuberance so much that it’s almost contagious! Take that happening where Kajal meets Prabhas’ song stripe in Switzerland where she pleads for a fate to sing for them. Kajal is very chirpy in most of her scenes and breezes through them with elan.
Love stories have been a tried to tested formula. Karunakaran doesn’t truly work to do something new in ‘Darling’ or try to deduce fancy from a new perspective. Perhaps this makes the covering all the more predictable. The support half of the record drags a bit and over stays its welcome as far as the family drama is fretful.
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Saikumar stars as Naidu, who rises from being a Panchayat President’s henchman to a MLA. Due to unforeseen circumstances he’s unnatural to marry his boss’ widowed daughter-in-law who’s already a mother of two, Mitra (Sharwanand) and another daughter (Surekha Vani). Few time after this matrimony, Chinna (Sandip) is intuitive out of this relationship. However, by then Mitra’s sister begins to hate her stair brother, still Mitra loves his new found family and promises himself to be a loyal supporter of his rung father. Almost 25 time later, Chinna turns into a furious offspring man, who hates being sidelined by his own family. How does this compound relationship overcome Naidu’s next life? How does Chinna trade with his suspicion and Mitra’s authority in politics? That forms the maintain of the tale of this brilliantly printed family drama.
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