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Movie : Tajmahal
Banner: Sri Sivaji Productions
Cast: Sivaji,Shruti,Brahmanandam & others
Direction : Arun Singaraju
Production : Sivaji Shontineni
Music : Abhiman


.:: MOVIE REVIEW ::.

Here is another article of fancy for the Telugu listeners. Shivaji comes up with a challenging role, while as a producer, he displays even more guts. Taj Mahal is not a run-of-the-mill fancy tragedy, but a melancholy account, with an quantity of chance in it. This is one layer which has not tinkered with the peak of the first. You could say, the entrance producer has allowed the chronicle cashier in the manager, carte blanche to be real to the novel idea.

Ajay (Shivaji) and Shruti (Shuruthi) are studying in an engineering seminary. The guy is in his closing year of engineering and has been in dear with Shruti for more than three days now. As he writes in his dairy, he has wished her ‘good morning,’ 3300 period. The girl cares a damn for him and on the day he invites her for a brunette, she asks, “What’s your name?” The Sandhya of Suswagatam is back, with a difference although. Ajay may have pointless three packed living worshipping somebody who doesn’t even bother to know his name, but he has already swept her off the feet, as Kumar.

Kumar is the guy Shruti speaks every morning, morning, nightfall and night over handset and is riotously in honey with him, though she has not met him once. For Ajay, the dilemma is that he cannot taunt to tell Shruti that the Kumar she is talking to every day is none but him, because Shruti declares in front of her contacts that she will die by committing suicide if Kumar turns out to be superstar with a cunning. Her picture of Kumar is one of a right, frank and gem of a guy.

Now, Ajay has no selection but to make Shruti reduction in darling with him, so she slowly forgets his Kumar avatar. What follows next is to be seen on the barrier.

The shoot is not a brilliant idea, but anywhere there lurks mild novelty in the sheet. Arun Singaraju does a good job, but he should have tried to game up to the standards of Telugu cinema. He should be appreciated for not injecting too much of drama. However, at some seats, the emotions drop fixed. Some crucial scenes have been miscarried, which make Taj Mahal a sheet low on smartness and appearance.

Many scenes are technically lower, while the departments of cinematography, choreography and action put up a support-ratio work.

The tragedy is that for all the uniqueness of the idea, Taj Mahal waterfall short in apparent a bright creation. The conflict in Ajay – whether to prolong his relationship with Shruti as Kumar or bid adieu evermore and suit his responsibilities – has been well-captured.

Shivaji puts up a credible performance in the next half, where his acting guts comes to the front. As a school chum, he is unpersuasive in the first half. Shruti does a so-so job. Kota as an indigent farmer father of Shivaji is adequate. Krishna Bagawan and Chitram Sreenu are good.

Musically (by Abhiman), the skin scores well, as the songs reach the mood of the skin. Dialogue-writer rightly puts more of basic dialogue, as verbosity would not have fit in well for the coating.

Taj Mahal is entertaining as well as shady. Its topic material doesn’t show too much of affection-wrenching moments, but it confident lives up to its own analyze and our regular expectations.