Darling Telugu movie review
Rating : 4/5 - dotmoive.in
Prabhas starts as Prabhas, a Generation Y punk who’s waiting at his childhood sweetheart Nandini (Kajal) to march into his life once again. When his lonely (Shraddha Das) proposes her ardor to him, Prabhas turns it down. Dejected with this decision, Shraddha Das attempts suicide which irks his father (Mukesh Rishi). He military Prabhas to accept his daughter’s offer but before Prabhas accepts, he narrates the anecdote of how he met Nandini. The respite of the scoop is about how Prabhas and Nandini suffer and how they decrease in passion with one another.
‘Darling’, as a video never takes itself too honestly. There are a bunch of actors goofing around to have a jolly good time be it in Switzerland or Araku. It’s the little moments of joy which need the item ahead. If you have strongly practical Karunakaran’s films then you will fulfill that there are barely any villains or grey shades in the character. Same is the defense with the pictures. Almost each is good at feeling which inturn forces us to concentrate on the maturing darling report. Although it’s not select, the feeling hearsay has its part of fine moments. Take that prospect shot in Switzerland for example, where Kajal realizes that Prabhas is in ardor with her. Or evening the site where Kajal realizes how finicky a person Prabhas is when the later solves a titanic predicament of his family lonely. Moments like these don’t go futile and the coating is crammed with such incidents.
Of the star cast, Prabhas seems to have had a good time while shooting for the haze. His body patois especially in the next half of the covering is helpful; while he looks bemused in most of his scenes. His comfort invoice especially the costumes and dances are noteworthy. Prabhu, Ahuti Prasad, Dharmavarapu Subramaniam, M S Narayana, Srinivas Reddy, Shraddha Das and Mukesh Rishi are effectual in their roles. Amidst all of them, it’s the heroine of the coating Kajal Agarwal who dazzles with her exuberance so much that it’s almost contagious! Take that happening where Kajal meets Prabhas’ song stripe in Switzerland where she pleads for a fate to sing for them. Kajal is very chirpy in most of her scenes and breezes through them with elan.
Love stories have been a tried to tested formula. Karunakaran doesn’t truly work to do something new in ‘Darling’ or try to deduce fancy from a new perspective. Perhaps this makes the covering all the more predictable. The support half of the record drags a bit and over stays its welcome as far as the family drama is fretful.
Andrew’s cinematography is striking in the tape. The songs and scenes shot in Switzerland have a good mix of colours like cobalt and green which is totally genial to sentry. G V Prakash’s harmony is alright. Swamy’s dialogues are good. Kotagiri Venkateswara Rao’s cutting is passable. Peter Heins’ action choreography is fully effective. Karunakaran has also handled the buzz and screenplay apart from the command of the haze. While there are some witty twists and turns in the covering, the screenplay could have been better especially in following half to make it more engaging. All in all, ‘Darling’ is a standard Karunakaran’s mist with a neat storyline laced with good comedy and family drama.
‘Darling’ is quite a safe layer, in the logic that, it doesn’t injury your intelligence. It hardly takes itself acutely and Karunakaran’s formula workings to a great area. It’s the yarn of a cheerful hero who is obsessed by a pleasing daughter; the dear gossip between this link and a pleased ending. This formula may have been done to demise, but it’s still an enigma that it works over and over again. Thumbs up for ‘Darling’ and the trio Karunakaran, Prabhas, Kajal. Go survey it and if you order this ‘Cheese Cake’ then make loyal that you sentinel the end credits for some ‘added cheese’! Life’s forever good in Karunakaran’s world.
Rating : 4/5 - dotmoive.in
Prabhas starts as Prabhas, a Generation Y punk who’s waiting at his childhood sweetheart Nandini (Kajal) to march into his life once again. When his lonely (Shraddha Das) proposes her ardor to him, Prabhas turns it down. Dejected with this decision, Shraddha Das attempts suicide which irks his father (Mukesh Rishi). He military Prabhas to accept his daughter’s offer but before Prabhas accepts, he narrates the anecdote of how he met Nandini. The respite of the scoop is about how Prabhas and Nandini suffer and how they decrease in passion with one another.
‘Darling’, as a video never takes itself too honestly. There are a bunch of actors goofing around to have a jolly good time be it in Switzerland or Araku. It’s the little moments of joy which need the item ahead. If you have strongly practical Karunakaran’s films then you will fulfill that there are barely any villains or grey shades in the character. Same is the defense with the pictures. Almost each is good at feeling which inturn forces us to concentrate on the maturing darling report. Although it’s not select, the feeling hearsay has its part of fine moments. Take that prospect shot in Switzerland for example, where Kajal realizes that Prabhas is in ardor with her. Or evening the site where Kajal realizes how finicky a person Prabhas is when the later solves a titanic predicament of his family lonely. Moments like these don’t go futile and the coating is crammed with such incidents.
Of the star cast, Prabhas seems to have had a good time while shooting for the haze. His body patois especially in the next half of the covering is helpful; while he looks bemused in most of his scenes. His comfort invoice especially the costumes and dances are noteworthy. Prabhu, Ahuti Prasad, Dharmavarapu Subramaniam, M S Narayana, Srinivas Reddy, Shraddha Das and Mukesh Rishi are effectual in their roles. Amidst all of them, it’s the heroine of the coating Kajal Agarwal who dazzles with her exuberance so much that it’s almost contagious! Take that happening where Kajal meets Prabhas’ song stripe in Switzerland where she pleads for a fate to sing for them. Kajal is very chirpy in most of her scenes and breezes through them with elan.
Love stories have been a tried to tested formula. Karunakaran doesn’t truly work to do something new in ‘Darling’ or try to deduce fancy from a new perspective. Perhaps this makes the covering all the more predictable. The support half of the record drags a bit and over stays its welcome as far as the family drama is fretful.
Andrew’s cinematography is striking in the tape. The songs and scenes shot in Switzerland have a good mix of colours like cobalt and green which is totally genial to sentry. G V Prakash’s harmony is alright. Swamy’s dialogues are good. Kotagiri Venkateswara Rao’s cutting is passable. Peter Heins’ action choreography is fully effective. Karunakaran has also handled the buzz and screenplay apart from the command of the haze. While there are some witty twists and turns in the covering, the screenplay could have been better especially in following half to make it more engaging. All in all, ‘Darling’ is a standard Karunakaran’s mist with a neat storyline laced with good comedy and family drama.
‘Darling’ is quite a safe layer, in the logic that, it doesn’t injury your intelligence. It hardly takes itself acutely and Karunakaran’s formula workings to a great area. It’s the yarn of a cheerful hero who is obsessed by a pleasing daughter; the dear gossip between this link and a pleased ending. This formula may have been done to demise, but it’s still an enigma that it works over and over again. Thumbs up for ‘Darling’ and the trio Karunakaran, Prabhas, Kajal. Go survey it and if you order this ‘Cheese Cake’ then make loyal that you sentinel the end credits for some ‘added cheese’! Life’s forever good in Karunakaran’s world.
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